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Title: In the aeroplane over the sea Artist: Neutral Milk Hotel Style: “In the Aeroplane Over the Sea is a personal album but not in the way you expect. It’s not biography. It’s a record of images, associations, and threads; no single word describes it so well as the beautiful and overused “kaleidoscope.” It has the cracked logic of a dream” Review: Pitchfork My Rating: 9/10 |
Neutral Milk Hotel — In the Aeroplane over the Sea
Paavoharju — Yha hamaraa
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Title: Yha hamaraa Artist: Paavoharju Style: “Ragnar Rock, Olli Ainala, and Lauri Ainala hail from the island town of Savonlinna. The ascetic born-again Christians recorded Yha hamaraa between 2001 and 2005, setting their Emersonian lyrics (all sung in Finnish) to a fluctuating electro-acoustic background that threads short-wave, field recordings, reggae beats, pinball sounds, sunken sea shanties, Sublime Frequencies radio scrambles, the somber choir of a backwoods congregation, operas made of cheap electronics, spectral female voices (with the occasional male bird song), chamber muses, midnight ambiance, and omnipresent crackles.” Review: Pitchfork My Rating: 8/10 |
Before The Blues — The Early American Black Music Scene, Vol. 2
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Title: Before The Blues: The Early American Black Music Scene, Vol. 2 Artist: Various Style: “Given that the history of recorded blues corresponds roughly with that of the record industry, the compilers of the three-part Before the Blues series may as well be digging around in the Garden of Eden for old records. The digitized scratches on many of the 69 songs included say one thing about this music: it’s old! And wondrous. We tend to attribute babe-in-the-woods innocence to music recorded under the shortening shadow of the 19th century, when William Howard Taft was still waddling about and automobiles and airplanes were novel. But these songs provide evidence that bloodshed, substance abuse (mostly drinkin’ and cokin’), and complex human emotions were hardly taboo subjects for rural America’s musical pioneers. Volume 2 of the Yazoo triad of CDs is highlighted by selections from a few august bluesmen (Blind Lemon Jefferson, Charlie Patton) and a bunch of long-forgotten black entertainers (Geeshie Wiley, Golden P. Harris). In tandem, they provide a window upon a time when recorded music was just finding its footing” — Steven Stolder Review: Amazon | Yazoo Records | AMG My Rating: 8/10 “A fascinating and highly entertaining exploration f the early roots of black music in America. This pioneering project depicts the rich American musical scene that existed throughout the 1800s with classic performances of ragtime, old modal songs, breakdowns, ballads, religious music and more. Featured here are great performances by many of the most legendary names in American music history, and this project follows the evolution of blues from its early modal precursors and early fundamentalist religious music. Extensive notes and photos communicate and exciting sense of discover, and outstanding remastered sound quality brings these rare old recordings to life.” — Yazoo Records Blurb Tracklist: |
M83 — Before the Dawn Heals Us
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Title: Before the Dawn Heals Us Artist: M83 Style: “Anthony Gonzalez goes it alone for album three, upping the drama by layering electro-acoustic sci-fi backdrops atop […] dialogue (written by his brother), and then buoying it all with a massive noir choir. From the buzzing nighttime Blade Runner skyline of the cover art to lyrics investigating car wrecks and dislodged brains, this is a mammoth collusion of synth gasps and distorted swirls, darker and more urban than its meadow-bound predecessor. ” Review: Pitchfork My Rating: 8/10 |
Various Artists — Camping (Bpitch Control)
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Title: Camping (Label: Bpitch Control) Artist: Various including Kiki, Ellen Allien, Modeselektor, Smash TV Style: “A simple mix-and-match of the best cuts from the label’s discography, Camping showcases six years worth of permutations of Berlinesque techno and techno-pop. From the goofy basslines of Housemeister’s “Do You Wanna Funk” and the gloopy vocodered pop of Smash TV’s “Sad” to the razor-sharp techno of Feadz’ “Lt Replay” and the persistent glitch of Modeselektor’s “Don’t Panic”, it pole vaults from one style to another, with only a steadfastly Germanic spirit holding it together.” Review: Pitchfork My Rating: 7/10 Tracklist: |

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