Split into 6 categories.

A far supe­rior film to the abho­rrent Ocean’s twelve, far far bet­ter, and actually enjo­ya­ble. By no means per­fect, but enjo­ya­ble, which is more than I can say for that torrid affair in Europe. The ave­rage scene length is lon­ger than 30 seconds, there is a story­line, each per­son actually has a role in the team, there’s no Julia Roberts or Cathe­rine Zeta Jones, there’s much less impos­si­ble tech­no­logy and as an added bonus, we get Al Pacino and a big-nosed Matt Damon.

Inc­re­di­ble, inc­re­di­ble film with a stun­ning score by the ever-great Einaudi. I highly recom­mend this.

Aro­nofsky has done it again, with Hugh Jack­man and Rachel Weisz; this time pulling off a mag­na­ni­mous beauty — a love story span­ning a thou­sand years with a qui­ve­ring of death’s mea­ning. Clint Man­sell with the Kro­nos Quar­tet once again pro­vi­des another epic sound­track to match their pre­vious work made for Aronofsky’s Requiem for a Dream. Foun­tain is mag­ni­fi­cent to watch and feel, a mar­vel. Just look.

A pretty strange and mes­sed up Chi­nese film about kee­ping your youth at all costs. Don’t make the same mis­take I did and try and eat food during this movie.