A mix tape

Feb 2 2006

Inde­pen­dent Cul­ture — My new music and movie recom­men­da­tions website.

Taken from my latest article:

A few weeks ago, in the cold reces­ses of Decem­ber, I attemp­ted to mimic that mid­night Xela pre­mise. Spo­ra­dic and fra­grant vocals nee­ded to inter­min­gle with astute jazz, dis­quie­ting per­cus­sion loops and loose piano the­mes. I nee­ded to pur­vey frus­tra­tion, heart ache and con­fu­sion amongst nos­tal­gia and flir­ting hope.

“It’s night time and I’m in the moment, but it’s ending”

01. Arve Hen­rik­sen — Pro­ces­sion Pas­sing
Album: Saku­teiki, Label: Rune Gram­mo­fon
The album is a wor­king tri­bute to Japa­nese cul­ture and the sound of the sha­kuhachi. Stark other-worldly roman­ti­cism gives the per­fect introduction.

02. Super­si­lent — 4.1
Album: 4, Label: Rune Gram­mo­fon
A per­fect com­pli­ment to Henriksen’s uni­que modus ope­randi. Dying jazz oppo­ses flit­ting cine­ma­tic mys­tery and abra­sive per­cus­sion to form a jarring yet inti­mate storm.

03. Bon­nie ‘Prince’ Billy — I See a Dark­ness
Album: I see a dark­ness, Label: Palace
The storm is pas­sing, but its devas­ta­tion has only just been rea­li­zed. A dark hymn with thinly laye­red gui­tar pro­vi­des a cogi­ta­tive com­men­tary. A brief resur­gence and an echoing cry for help.

04. Ale­jan­dra and Aeron — Jua­nita, King Chime and Flo­rida Flash Flood
Album: Bousha Blue Bla­zes, Label: Orth­lorng Musork
This haun­tingly expec­tant fusion of atmosphe­ric piano and deli­cate elec­tro­nics obser­ves a des­ti­tute rea­lism with the nai­vety of a child.

05. The Gentle Waves — Part­ner in Crime
Album: Swang­song for you, Label: Jeeps­ter
“Part­ner in Crime” is the con­so­ling bed­time story that acts to rein­sure yet spi­rals dan­ge­rously away into a cold despondency.

06. Múm — We have a Map of the Piano
Album: Finally we are no one, Label: Fat Cat
True hope comes with the war­ming mor­ning sun and there is momen­tary rest bite. Warm synthe­si­zer chords and glitch-beats offer tranquility.

07. Ale­jan­dra and Aeron — Hum­ming Radio Caro Cariño
Album: Bousha Blue Bla­zes, Label: Orth­lorng Musork
At the boun­da­ries of folk there is a clan­des­tine pri­vacy that is effort­lessly caught by this song. This family recor­ding bids opti­mism and nos­tal­gia with a fra­gile air of uncer­tainty. Soft Spa­nish words with recu­rring acous­tics and gui­tar bequeath frail rem­nants of life.

08. Alva Noto & Ryuichi Saka­moto – Duoon
Album: Vrioon, Label: Ras­ter Noton
Cres­cen­dos of high fre­quency throbs pierce the ears whilst rhythm evol­ves from life­less sta­tic, a lone piano acts as a guide through this harsh soundscape.

09. Nick Lar­son — Aviva Pas­to­ral
Album: Palin­dro­mes sound­track,
The piano con­ti­nues on in this rare track that con­torts young vocal inno­cence into a tool of luring pas­sion and tres­pas­sing guilt, vir­tues of youth are achingly spoi­led by melancholy.

10. Nils Økland — Blond Blå
Album: Bris, Label: Rune Gram­mo­fon
Stan­ding and power­ful strings rever­be­rate a las­ting regret that leads natu­rally onto a self-reflection that for­bids forgiveness.

11. Ms. John Soda – Tech­ni­co­lor
Album: No P. or D., Label: Morr Music
Through a union of sur­fa­cing elec­tro­nic tech­ni­ques and clas­si­cal the­mes this is har­mo­nic pop with a dif­fe­rence. An unbrid­led fresh­ness brings cheer­ful­ness amongst the surroun­ding repres­sion, a fit­ting pause in the proceedings.

12. Fen­nesz – Tran­sit
Album: Venice, Label: Touch
The eyes of ancestry watch as an apo­calyp­tic tech­no­lo­gi­cal future looms; flic­ke­ring noise and pul­ses beau­ti­fully drown a wist­ful voice that betrays its past. “Say your goodb­yes to Europe […] follow me”

13. Phi­lip Jeck – Pax
Album: Stoke, Label: Touch
Eerie loops com­pli­ment war­ped vocals to croon the rising moon. An air of unea­si­ness builds with each pas­sing repe­ti­tion clim­bing towards a night time awkwardness.

14. Paa­voharju — Valo Tih­kuu Kai­ken Läpi
Album: Yhä hämärää, Label: Fonal
A sere­na­ding elec­tro­nic lullaby regur­gi­ta­tes faith and ends the mix with com­for­ting reas­su­rance that everything will be alright in the end.