
I’ll miss my old room

Tales of Bus Fares and Film Certificates
About time for another blog entry I feel, something today specifically focused on the lovely new changes made by the BBFC (film classification company in Britain) and the First bus company in Bristol, England.
A few months back I watched one of this year’s greatest films, Batman Begins. I thoroughly enjoyed the feature and plan to see it again with my girlfriend at a local IMAX theatre. However, during the more violent and scary aspects of the film my thoughts debated the choice of certification. In Britain, Batman Begins has been rated with the fairly recently created 12A certificate (after the Spider-man violence debacle).
Children under the age of 12 will be able to see a ‘12A’ film at the cinema if they are accompanied by a person of 18 years or over. The adult must watch the film with the child or children and not just pay for the ticket.
This means that a six year old would be allowed in to watch this film. A nagging child desperately wanting to see the latest super hero flick would be the most likely candidate. However, if I were a parent there would be some scenes I would just not want my child to see. For instance the scarecrow and drug induced hallucinations. Most of the violence and battle scenes consisted mostly of quick camera changes and flashes and these didn’t bother me. It was more the frightening aspects and themes that some of my twenty something friends were afraid of that bothered me. Introducing drug induced paranoia and scary hallucinations to a young child could really scar(e) them and keep them up at night. I questioned why a simple 12 rating was not used, anyone over the age of 12 would love this movie. Had this film been released in the early nineties a 15 certificate would be guaranteed.
I have now returned from seeing the latest War of the Worlds adaptation by Spielberg. There were no violent scenes, bad language or sex acts in this movie and there were fantastic special effects, combine this with Spielberg and a 12A rating and you’d think this would be a perfect movie for a group of eight year old’s and a birthday party. In fact it was a similar combination that led me to take my girlfriend on a date to see this flick. We settled down with our Fanta and chocolate buttons hoping for another fantastic summer blockbuster. We were gravely disappointed (the ending… seriously wtf, Spielberg you douche). I’d read interviews that talked about how ‘berg would concentrate on the human and dramatic aspects of an alien invasion and he did exactly that. There may be some spoilers below, so don’t read on if you are afraid of me ruining moments. Dysfunctional families, a lazy yet loving father, distraught children faced with death on a massive scale, images of multiple dead bodies flowing down a river, humans being turned to dust, crazy lunatic hitch hikers frantically attacking the only working car resulting in gun shots and murder, insanity and murder for survival, booming sirens and shuddersome aliens, humans being ground into fertilizer and sprayed across fields, complete hopelessness, fear and death. These were the themes of the movie that were incredibly realistic and terrifying, such that my twenty year old date cowered behind her hands for much of the second half of the movie. I was shocked at the brutal reality of parts of the movie and if this was the aim of Spielberg then I applaud him in his success (although all those narrow escapes were ridiculous). Once again my thoughts turned to the rating of this movie. It was 12A. If I were a parent there would be no way I would ever let my son or daughter watch this movie, even if they were over 12. The themes in this motion picture are simply things an eight year old should not be confronted with in the search for entertainment. What were the BBFC thinking? A film certificate should be a guide to parents and in this country also a governed restriction. Five years ago this movie would have been a 15 or even 18 certificate yet today a six year old can see this with his ignorant misinformed parents. By the time I am a parent I’m going to have to watch all the films they might want to see beforehand just in case they are not suitable. Whatever happened to standards?
Moving on, to another note entirely. Today I travelled into Bristol city centre to enjoy the day in town. In lacking means of transportation we decided to take the “First” bus (badger line). It used to cost £3 for a single during rush hour and £2 off peak. However since June 28th prices have gone up. Now off peak travel costs us £3.60 each and a massive £5 return. A 40 minute bus journey into town and back for two costs us £10. Comparing this to the bus I take to university which takes 50 minutes and costs £1.80 return (each) during peak periods and the coach tickets to London (return) that cost £16.50 then you see that this price is extortionate. Where a short trip to the next suburb used to cost £1 it now costs three. No wonder people don’t want to use public transport.
I’m done, stick a fork in me. (Why doesn’t blogger create £ signs without the annoying A-hat before it?)
Konfabulator is great!
What Is Konfabulator?
Konfabulator is a JavaScript runtime engine for Windows and Mac OS X that lets you run little files called Widgets that can do pretty much whatever you want them to. Widgets can be alarm clocks, calculators, can tell you your WiFi signal strength, will fetch the latest stock quotes for your preferred symbols, and even give your current local weather.
What sets Konfabulator apart from other scripting applications is that it takes full advantage of today’s advanced graphics. This allows Widgets to blend fluidly into your desktop without the constraints of traditional window borders. Toss in some sliding and fading, and these little guys are right at home in Windows XP and Mac OS X.
Here I found an iTunes remote that looks like an empty cd jewel case. Upon playing it shows the album cover in the ID3 tag, if not tag exists the widget searches Amazon for an appropriate cover. Upon rolling over the top half a set of controls to change track, etc… appear, rolling over the bottom half brings up the progress bar, track name and artist name. Simple and eloquent. It also has some advanced features such as hiding itself when iTunes is closed, bringing itself to the front upon track change and hotkeys for control. It also has three spearate sizes for album covers, in the screenshot below it’s on the middle setting. So here’s an image of my current desktop, click for larger.
Optimus (concept) Display Keyboard
A goon over at forums.somethingawful.com pointed this out to me and I relished the idea of having one of these so much that I decided to make a blog entry about it. At the moment this is only a concept piece, however there are patents pending and from the forums thread their is significant interest in such a product. It is ingenious without a doubt.

“Every key of the Optimus keyboard is a stand-alone display showing exactly what it is controlling at this very moment.”
“Additional block of keys on the left is meant for switching between programs or modes”
Standard keyboard in English, same keyboard different display when playing Quake, showing the controls.
Images © 1995–2005 Art. Lebedev Studio
What a load of shit

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