Aug 21 2003

“Williams igni­tes on the screen and burns till the last frame, and you are una­ble to take your eyes off him”

This movie is 100% ori­gi­nal; focu­sing on one cha­rac­ter (who works at a one hour photo booth — a job he loves and takes imma­cu­late care over) as he takes action over his obses­sion… doing what Uncle Sy would do.

“After seeing this film, you might look at those photo guys behind the coun­ter a little dif­fe­rently. Sy Parrish (Robin Williams) is a very quiet, melancholy photo tech­ni­cian who takes enor­mous pride in his work. What brigh­tens Sy’s day the most is when the Yor­kin family–Nina (Con­nie Niel­sen), Will (Michael Var­tan) and their nine-year-old son Jake (Dylan Smith)–stop by to have their pho­tos deve­lo­ped. In fact, Sy is so obses­si­vely attached to them he copies their pho­tos and even­tually stalks them, all while inno­cently ima­gi­ning he is the Yor­kins’ friendly uncle invi­ted over for bar­be­cues and family holidays–and, of course, to be in every pic­ture. Then his world dras­ti­cally chan­ges when he dis­co­vers a sec­ret about the Yor­kins that shat­ters his per­fect image of them. And when his super­vi­sor Bill (Gary Cole) fires him over pho­tos that are unac­coun­ted for, Sy goes ree­ling over the edge. One Hour Photo’s story peels away much like the skin of an onion–the more layers you unco­ver, the more uncom­for­ta­ble you get. ”

“This is the best per­for­mance that I have seen from a lead actor in any film this year. Williams is mes­me­ri­sing in his bri­lliance, as he allows us to enter the world of Sy Parrish. Sy is a tra­gic and lonely figure, someone who has no body. His exis­tence is dri­ven by what he per­cei­ves to be his impor­tant role in the Yor­kin family.”

“Roma­nek has crea­ted a world to reflect the out­look of Sy. When he is happy, either at work or inte­rac­ting with the Yorkin’s, the world is bright and brim­ming with colour, but when Sy retreats to the lone­li­ness of his apart­ment the world beco­mes depres­singly bleak. As well as per­fectly cap­tu­ring the mood and atmosphere, Roma­nek allows his film to deve­lop at a sui­ta­ble pace, (slow enough to allow the cha­rac­ter to deve­lop, but fast enough to keep the interest).”

FofR gives this movie 8.0/10, cause it’s a masterpiece.

“It is fan­tas­ti­cally shot, will leave you emo­tio­nally drai­ned. One Hour Photo is ulti­ma­tely one of those rare breeds of films where both style and subs­tance are deli­ve­red in equally high measures”

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